Wednesday, August 19, 2009

scar...survival of the human spirit


'SCAR in the HEART of pain'

THERE's something immensely affirmative about the hunan spirit that defies all understanding-it's the capacity to adapt to any vissitude of life.And in no other form of writting is the persevering quality of the human spirit celebrated than in the work of art. Through the ages,there abound a strand of writting devoted to the unyeilding,rugged nature of the spirit that stands solid in the face of tremendous suffering and hardship.Every clime has it own record of men and women who have gone through the most horrendous of situationns,but who ended up singing songs of praise and triump.
'SCAR in the HEART of pain' is a poetry that is narrative and desciptive as it chronicles the poet's encounter with the human spirit.Uche Uwadinachi battles a kind of terror lodged in the heart. So he sings Scar in the HEART of pain, where “The SCAR/Is a faceless parasitic burden-…. Uwadinachi is a young performance poet with promise as his poetry resonates with a life waiting to be lived.

For the poet Scar represents those heartaches in various guises that plague the human spirit, the sort of heartache that is inflicted on one man by his fellow man. It needs deep healing that can sometimes be confrontational to heal the scar. ‘Not a plastic surgery/Not a royal shroud?/Not a quick suicide/Only a confrontation/Of/YOU by US can WE/Overcome the aged scar’, which is ingrained.

The heart is the epicenter, both of the nation that needs direction and of man that is seeking for perfection and a measure of sanity in a world where life seems meaningless. So he sings ‘Scar…/Perpetual blemish/Invoking false hope in life…/I seek for the world beyond/To wrap me in its eternal darkness…/And life takes the side of death…/I am not purified… I am putrefied’ in Stigma’, There’s anguish and a wrenching of the guts in the meaninglessness of life as all probabilities end up in death and decay.

The poet’s hopelessness and the seeming redemption he funds manifest themselves in the three domains, which life for him. Life is bitter because there’s ‘curse’ placed upon it; so life finds a ‘cure’ to heal life’s many woes in man’s daily encounters. Finally, there’s a ‘curse’ to follow for life’s troubles to pass, which can only be found in nature, in being in tune with nature

The rivers flowing, the streams babbling and shady woods provide perfect serenity for man’s soul. It is here that man ought to find rest for his troubled spirit. So the poet proclaims in “The River’, The river/…in its ever flowing waves,/Faith is a continual pilgrimage of states…/…in its pure cleansing depth,/Reasons are regalia in blotches/To be washed in the stream-…The river divines a future/In the present from the future’.

Also to Oshun Osogbo he delightfully sings in ‘Osun’, ‘I bath in this stream/Free from stagnant stain…/All I see is crystalline bowl/Sinless…lenient/Unsoiled to any earth tie/Flowing generously for all/Inviting us to thread/New earth in water/Where our pains/Will be pacified and/Taken away.’

Clearly, Uwadinachi is a poet for the future. His imagery flows in a streamlet and it leaves no one in doubt as to his power to thrill in an expressive way that is pleasing. Uwadinachi’s handling of his subject also shows maturity. He is an emerging poet set for the future.

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